
The Prostitute published in Pressed 8. Launch on the 24th in Brisbane.


The Last Book is a project to compile written as well as visual statements in which the authors may leave a legacy for future generations. The premise of the project is that book-based culture is coming to an end. On one hand, new technologies have introduced cultural mutations by transferring information to television and the Internet. On the other, there has been an increasing deterioration in the educational systems (as much in the First World as on the periphery) and a proliferation of religious and anti-intellectual fundamentalisms. The Last Book will serve as a time-capsule and leave a document and testament of our time, as well as a stimulus for a possible reactivation of culture in case of disappearance by negligence, catastrophe or conflagration.

Nikesh Murali has fairly experimented with innovative style of technical phraseology in his poem 'The Webcam Suicide.' Certain lines where he uses computer vocabulary are impressive in context of emotive diction; the last ghazal of inebriated love/ binary expression (expression of the feelings of beloved and her lover) of muted cries/ digital murmur (fluctuating sobs and gasps) of a broken heart."
AustLit is a non-profit collaboration between twelve Australian Universities and the National Library of Australia providing authoritative information on hundreds of thousands of creative and critical Australian literature works relating to more than 100,000 Australian authors and literary organisations. Its coverage spans 1780 to the present day.
AustLit indexes and describes Australian literature published in a range of print and electronic information sources. It also makes available selected critical articles and creative writing in full text. Researchers, bibliographers and librarians, working around the country, gather information about Australian writers and writing, providing authoritative information on and facilitating access to Australian literature.
http://www.austlit.edu.au/about
"There is a little secret in my heart
That I told the silent walls
And they stared at me blankly with contempt.
I told the sunlight streaming through my bedroom window
And heard the birds laugh in the garden.
I told the steady rain on the roof
But it drowned my voice with a deluge.
The image of the `streaming sunlight’ is more Australian than Indian. Australian poets are `sun-worshippers.’ They have a virile faith in the power and vitality that the sun represents. Every true Australian is a sun worshipper. In this instance, the anthropomorphic image of the sunlight as someone to be talked to, points to a brilliant commingling of Indian and Australian literary influences.
India, as a global powerhouse in the Anglophone literary arena has made its presence felt in the Australian shores. The poetry of Nikesh Murali bears the imprint of Indian philosophy that is transposed to an Australian milieu.
The rain that is presented here is a coastal Indian image. Such a startling juxtaposition across national borders provides the necessary poetic fodder for a post-modern imagination."
"Spring is the necromancy of winter and loneliness is like being with voodoo dolls of our companions of the past. Myths are the divination of collective dreams and tears are runes in love letters that we never read.
Here the lines take on an aphoristic sensibility that is essential to Indian Literature. It could have been a sloka in Sanskrit, or a ghazal in Hindi. Apart from its spiritual dimension, the poem also explores the possibilities of defining quantities in an emerging poetic practice.
These very quantities conceal depths that are self- reflexive and labyrinthine. Spring emerges from winter; loneliness is linked to companionship.
Everything is itself and also its opposite."
" the winds could carry my sorrow to your resting place, they would weep and weave through the leaves, sharing their grief with the universeNikesh Murali’s poems have an intensity that seeps into the soul. Christopher Brennan’s words could be applied to describe his poetry:
The imaginative act is not, as vulgarly held, the irresponsible creation of unrealities; imagination is a faculty that perceives outside of the dusty life of outer weariness, the adequacy of our spirit to regard only those perfect things, the things of beauty. "
Interview with M.V.Somasundaram appears in The Modern Rationalist http://www.themronline.com/200802mr/index.html
A tribute to Val Kilmer's poem in The Saint & A tribute to Wong Kar Wai's In the mood for love to appear in the special Shringara Issue of Muse India in March http://www.museindia.com/showfeature7.asp?id=886
Girl from Ipanema to appear in Borderlines '08 anthology published by University of Portsmouth, United Kingdom. Order through AMAZON
'It snows in Philadelphia' appears in Skive Magazine . Purchase a copy of this great short story quarterly from here http://www.lulu.com/content/2026165